This hand stitched needlepoint had to be blocked to make it square before we could cut the double mat of orange & green to fit. It is framed under Museum Glass in a hand distressed foil metallic wood frame.

 

This vintage page from a calendar required a black acid-free backing board so the printing on the opposite side would not show through the light areas. Framed under Museum Glass in a brown rustic frame.

Museum Glass has 99% UV protection with a special anti-reflecting formula that makes the glass virtually disappear.  When standing directly in front of the picture, it appears to not have any glass in the frame.  People will walk up to it and touch it to see if it's really there.

 

This signed & numbered print by Richard Rankin of the TV show Outlander features Haystack Rock at Cannon Beach, Oregon. It was double matted under Museum Glass in a traditional brown wood frame.

Our client renewed their wedding vows on their 40th Anniversary from this same spot with this view.

Before matting 

 

Additional handwritten note enclosed with the artwork

On the display easel at the design table.

This print on torn paper was floated on a coordinating mat to show off the paper's edge under Conservation Clear glass with 99% UV protection in a metal frame.

 

This floral rose painting came in with the canvas already stretched on to stretcher bars. They just wanted an ornate white wood frame to give a feminine vibe.

 

This is a piece of fabric that was dry mounted to lay flat and framed in a metal frame with no glass.

 

This poster of Cypress was dry mounted and framed under Museum Glass in a two tone traditional scoop style frame.

This original watercolor painting was mounted using Preserve Ultra with a single white mat under museum glass in a 1" inch wide rustic brown frame.

 

This display board with handprints & names of all the grandchildren was framed in a basic black wood frame under Conservation Reflection Control Glass that has 99% UV protection to keep from fading.